Announcements

Welcome to Week 6!

14 March 2026

This week our main subject is to focus on women in classical Athens.

Things to ponder as you explore the materials. This is a tough one, because the seclusion of women is a subject that draws a lot of emotional reaction and misunderstanding—and this is one of those topics where Pomeroy definitely has an axe to grind.

The articles come into play here, too, especially the Walker article, which deals with some of the facts on the ground about seclusion. Where is Pomeroy coming from when it comes to women in Athens? Given our past discussions, what helps bring about this situation? And is it as bad as it seems to us, or is there more going on than what everybody traditionally says about it?

Of particular importance this week: we’re also looking at Eumenides, part of the Oresteia trilogy by the tragedian Aeschylos. This is a great one for looking at gods and mortals and how they operate on their own planes. What do you think the play is saying about Orestes having killed his mom? How do the Furies come off, and how do they seem different from Apollo and Athena, who show up at the end? Why do you think the playwright has Athena say the things she does about her final decision? What do you think this play is really about?

Looking forward to discussing all this with you. See you Tuesday!

Link to Schedule page

Welcome to Week 5!

7 March 2026

This week we’re talking about the period after the so-called Greek Dark Age, when from our perspective Hellas can be heard and seen again, with the foundations of Greek culture already laid down in the previous, unseen centuries.

Things to ponder as you explore the materials. This is the time of the polis—the distinctive, kingless Greek city-state; of colonization, with Greek cities sending their people out into the Aegean, the Black Sea, and the Mediterranean; and of the hoplite warrior. Also during this time: the rise of lyric poetry, a sharp contrast to the epic poetry of earlier times; and pan-Hellenism, the curious sense of commonality that grows among all these city-states with defiantly distinct and competitive identities.

Two writers emerge during this period that are characteristic of the shifting Greek culture. One is Hesiod, who speaks from the point of view of the small landed farmer—unlike Homer, whose perspective was from the top of society down. What does Hesiod have to tell us about what it meant to be Greek, and is it different from the key values present in Homer’s work? His issues with women we’ve already discussed in terms of his complex depiction of Pandora and his admiration of Hekate above other divinities, but here we see a discussion of women in terms of the priorities of a landed farmer. Is Hesiod’s attitude simple misogyny, or can we go deeper? How does his discussion of gender fit in with his broader arguments about what it means to be a good Greek citizen?

The other author is Sappho, the most famous of the lyric poets. What does her poetry tell us about how Hellas is changing from the days of epic poetry told by rhapsodes? How does it fit with the rest of what Greek literature talks about? What is her poetry about, to you? What do you think we can take away from the fact that this towering figure of Greek literature is a woman?

Looking forward to discussing all of this with you. See you Tuesday!

Link to Schedule page

Essay Musts reminder

5 March 2026

Just a quick reminder as you work on completing your essays: make sure to review the Requirements for All Papers on the Essay Musts page before you upload—not just for formatting, but for structure and evidence as well. All three are areas in which good choices strengthen your paper and in which significant deductions might be made if the requirements are not met.

There are videos about each of these topics on the Essay Musts page to help advise you as you finalize your work. There’s also a sample interpretive essay on that page to provide additional guidance.

If you have any questions about any of these requirements, drop me an email or see me in office hours. I’m looking forward to hearing your ideas!

Link to Essays Musts page

Welcome to Week 4! (redux)

1 March 2026

Let’s try this again! This week we’re talking more about Homer, whose works are the portal to understanding how the Greeks thought about everything, including gender, since Homer’s works became the baseline for all Greek culture and all study of the Greeks. We’re reading Pomeroy’s analysis of how the women of the Trojan epic were presenting in Homer and perceived by the Greeks, but we’re also reading a few short sections of Homer himself to get a feel for how he talked about the male and female figures who shaped the outcome of the Trojan War in his epic.

Things to ponder as you explore the materials. Women are important to Homer—even the war itself is made to be about a woman in Homer. How does Helen come across in these stories? Why do you think she was depicted as the impetus for the war? Do you see the women on the Trojan side (like Andromache, Hektor’s wife, and Kassandra) as being presented differently from the Greek women (like Klytaemnestra)? In the excerpts, how do you see Briseis, Nausicaa, and Penelope? What do you think Homer wanted to say about the mutual responsibilities of men and women in Greek society?

Looking forward to discussing all of this with you. See you Tuesday!

Link to Schedule page

A quick reminder about meeting slides and note taking

25 February 2026

For every class meeting, there are always a number of ideas I want to discuss and key points that go with them. I try to make sure a lot of these ideas are included on my slides, to aid in-class discussion and for later review.

For those taking notes in class, that can sometimes add the challenge of wanting to get all of these points on paper. To help with this, I've provided tools that allow you to streamline your note-taking and not have to worry about getting every point down from the slides.

I do recommend note-taking—we cover a lot of material in this course, and it’s all relevant to your written assignments and exams. Sometimes, though, in class I have to move on faster than fully comprehensive transcription allows, so these tools might be of help. For example, images of the slides are always available before and after class on the Slides page for you to check and supplement your notes.

One offering that students have found helpful in the past is the PDF handout I post for each meeting. These show the slides on the left side, with all the bullet points, and room to take additional notes and ideas that you think of or that come up in discussion next to the slides on the right. That way you don't have to get distracted trying to get everything down and can keep your reactions side-by-side with the key points I’m hoping to convey.

The PDF handouts are always available on the course website the weekend before class. You can print them out and bring the printouts to class, or use a tablet to add to them during the meeting.

The PDF handouts can be accessed via both the Slides page and the PDF/Print page.

Link to PDF/Print page

Important notes on the Images Essay (due March 9)

22 February 2026

Here are a few brief reminders about the Images essay, which is due very soon on Monday, March 9.

Watch the video. Make sure to watch the overview video, since that tells you exactly what I am looking for. It’s on the Images Essay page.

Thesis statement. Make sure you have an introduction with a thesis statement (your argument asserting your position on the question/problem being addressed) and a body that describes and discusses three examples from the sources supporting your thesis statement. For models and explanations on how to do this, see “Writing a Position Paper” (a.k.a. “The Elephant Pamphlet”), which is on the Resources page.

Sources.

• For the museum option, if you can go to a museum in person and view the works directly, that is what I strongly prefer, as this option is about your subjective reactions to experiencing the works you are writing about. Remember to choose two works that have the same subject (two little girls, two warriors, two fertility goddesses) but from different times or places so you can talk about the implications of how the same concept was conveyed differently in different times or places.
• For the film option, you need to write about the agenda of the filmmakers and the agenda of the authors of the primary source and how each is using an ancient culture to impress their own beliefs (the filmmakers’ and the authors’) on the audience. If you’re not sure about the primary sources for the film you chose, make sure to come to me and we’ll discuss.

Requirements for all papers. You must adhere to the requirements for all papers (listed on the Essay Musts page). Not meeting the requirements for all papers will mean a lower grade.

Template. There is an MS Word template already set up with some of the formatting I require on the Resources page. If you use Word, I strongly recommend making use of this template. There is one for Google Docs as well.

Late papers. As per the syllabus, late papers are marked down by ten points per class meeting, up to a cap of thirty points. Avoid this penalty and block out the time you need to prepare, write, and review your essay so that it can be submitted on time.

Brightspace. All essays are uploaded to Brightspace. There’s a link to the assignment upload space on the main page. Your essay needs to be uploaded as a Word (preferred) or PDF file attachment, not pasted in as text submission. If you use a browser-based word processor, you’ll need to export your paper as a Word document and upload that.

I’m happy to discuss any aspects of your sources or the essay, so please come to me if there’s anything you’re not sure about. I’m looking forward to hearing your interpretations of your chosen depictions of gender in the ancient world!

Link to Images Essay page

No class meeting this week

15 February 2026

No classes meet on Tuesday. Enjoy your break. Email me with any questions about upcoming assignments.

Our next class meeting is the following week. See you then!

Link to Schedule page

Welcome to Week 3!

8 February 2026

This week we’ve got a big topic: How gender plays out among the stories of gods and goddesses in the ancient world.

Things to ponder as you explore the materials. Here we zoom in on a key theme in this course, and in Pomeroy’s text: how goddesses are portrayed, as it contrasts to human behavior and also in contrast to the male gods. What stands out to you as the most defining characteristics of goddesses in mythology? What goddesses stand out the most to you, and what about them stands out? Remember, we’re trying to view these ideas from the perspective of people of the time. How did the peoples of these societies see a goddess as being different from a god?

Certain goddesses really stand out. Why is Athena so special and unlike anyone else in the pantheon? Pomeroy talks about an array of Greek goddesses, and many of them seem to be very potent and distinctive in terms of personality and behavior. Why do you think these goddesses were described that way? Who stands out to you as intriguing, or unfairly overlooked?

Also, I want to talk about specific male/female pairings. How do the myths contrast Zeus and Hera? Or, going even further back, Cronos and Rhea?

And: the earth is associated with female divinities (Gaia, Demeter, Kore). Is that just an analog with the production of life, or is there more to it than that?

In this context we’re looking at an early Greek author, Hesiod, and his very personal and very influential take on the story of the gods. How does Hesiod see the gods? What goddesses in particular stand out for him, and why?

Looking forward to finally hearing your thoughts and insights. See you Tuesday!

Link to Schedule page

Welcome to Week 2!

1 February 2026

This week we’re talking about one of the oldest civilizations of the ancient world, the harsh lands of Sumer, and their most famous bequest to later generations, The Epic of Gilgamesh. We’re reading a few chunks from it, and although the protagonists of this story are two very manly men, in these passages we get three very vividly drawn women: Shamhat the prostitute, Ishtar the bratty goddess, and Ninsun, Gilgamesh’s mother archetype.

Things to ponder as you explore the materials. As we talk about this, I’m interested in hearing what stands out to you about these passages. How does the people’s anger at Gilgamesh relate to gender? Why is Shamhat written as being so critical to the story of Enkidu? And why do you think it’s important she’s a prostitute rather than another kind of woman in society? What role does Ninsun play in Gilgamesh’s story? What is Ishtar all about? Given what we see of other women in the Epic, do you think she’s being painted by her actions as a woman, or as a god? And on the testosterone side, what do you think the dudebro attitudes and goals of Gilgamesh and Enkidu tell us about how the author saw the differences between men and women within a community?

We had a great discussion last time, and this time we have some really meaty (or juicy, if you want vegetarian metaphors) stuff to discuss. When we get together this week, I especially want us to talk a lot about Gilgamesh and what it tells us. Also, I want to hear your reactions to the article you read. The discussion on this is important, since only some of us will have read the one you chose. What was the author trying to convince you of? What did you think of his or her arguments, and the evidence used to support it? What insight does this give us into how the Sumerians thought about gender?

Looking forward to hearing your thoughts and reactions. See you Tuesday!

Link to Schedule page

Weekly responses start this week

30 January 2026

Each week, in addition to our in-class lecture and discussions, we’ll be having an online discussion in which everyone responds to a reading or some other prompt that relates to the week’s topics. The responses start this week with the Week 1 response, which is sort of an open introduction to thinking about history.

The weekly responses are a part of your grade, so making a substantive post every week will be part of the routine for this course. (I used to ask these kinds of questions about the readings on the quizzes in class, but I opted for shorter quizzes and shifted this discussion to the online responses.)

Responses are due by the Sunday after the class meetings for that week. For example, this week’s responses are due Sunday, February 1. Of course you can make your responses anytime during the week, and I’ll always particularly appreciate responses posted before the class meeting in case there are ideas or questions I want to bring up in class.

To post your response, go to the course website (follow the links sent previously, or find markbwilson dot com and click on Courses), then click on Responses on the side menu or site map. There’s a link there to the Week 1 thread on Brightspace. You can also go directly to Brightspace and click on the Discussion section.

Make sure your response is substantial—a paragraph or two of your personal thoughts, ideas, and reasoning. Please try to write in complete sentences so your thoughts are clearer to others. Remember, the environment here is academic, not social media; think of this page as being like a group discussion in class about a subject we’re all trying to explore and give our ideas and perspectives on. Try to add to the discussion with new ideas or a new take on what’s been brought up so far by other students.

Any questions or issues, email me and let me know!

Link to Responses page

Signing up for your presentations

29 January 2026

Thanks for a great discussion and inauguration on Tuesday! Here’s a reminder about signing up for presentations.

Over the course of the semester we’ll be exploring a number of readings, both primary and secondary sources. Everyone will have a chance to briefly introduce one of each to the class in order to kick off our discussion of the text and what the reading is telling us.

Go ahead and sign up now for your two presentations. The sign-up page is on the course website (at markbwilson dot com), under Presentations. Look the list over and find one that seems like it might be interesting to spend a little time with when it comes up later in the semester. Each of the titles has a URL link to the reading, so you can get a preview. The dates on which we’ll be getting to each reading are there, too.

If you haven’t watched the welcome video on the home page of the course website, do that first. Feel free to ask me any questions!

Link to Presentations page

Welcome to Week 1!

25 January 2026

This is a quick note to welcome you all to the beginning of Women in Antiquity! I’m looking forward to exploring gender in the ancient world with all of you, starting with our first meeting on Tuesday. The meeting is in-person, 6:00 – 8:40 p.m., in Carman 209. I know there’s a storm happening Monday, but as of now we will be meeting in person on Tuesday. If that changes I will let you know!

This week we’re exploring ideas about gender norms and expectations in ancient societies, including shared perspectives ancient cultures tend to have in common as well as the kinds of things that tend to be radically different from one culture to the next. How do we gain insight into what it means to be a woman, or a man, in ancient Egypt, Greece, Sumer, Judea, or Rome? We’ll also talk what you’re hoping to explore in the course. What about the women in the ancient world do you find interesting or want to know more about? What aspects of gender in antiquity do you want to look into and understand better?

Syllabus and video: As a reminder, the syllabus, assignments, and requirements are all on the course website, which is on my website, markbwilson dot com. Make sure you’ve looked through the site and that you’ve watched the welcome video, which talks about how the course works and answers some common questions.

Books: Also make sure you have the book. The Pomeroy will be getting regular use starting in a couple of weeks, and it shouldn’t be hard to find. The reading assignments on the Schedule page of the website are what you need to have read (and thought about) before coming to class.

Email me: Many of you replied back to the welcome-to-the-course email I sent you after you enrolled, confirming that I have a good email address for you. If you didn’t, could you do me a favor and reply back to this one and let me know that I can use this address, or that a different email is better for you? Thanks. I’ll be sending out lots of emails, including weekly previews and information on assignments, so it’s important I’m able to reach you.

Sign up for your presentations: There is a sign-up page on the course website for the two presentations you’ll be doing: one on a primary source, and another on one of the articles we’re reading throughout the semester. These presentations are just you introducing a reading to the class, along with your take on what the author is trying to say and what you think it means, as a way of kicking off our discussion of that reading.

Everyone needs to sign up for one presentation on a primary source, and one on a secondary source. You can get that out of the way now and choose readings and topics that seem interesting to you. To get to the page, click on “Presentation” in the side menu, then “Signup #1” and “Signup #2”. As always, I'm grateful to those who pick the earlier ones! If you have questions, we’ll talk more about presentations and the rest of the course components at our first meeting.

That’s it for now. Let me know if you have any questions. I’ll see you all on Tuesday!

Link to Schedule page

Welcome to Women in Antiquity! (Spring 2026)

9 December 2025

Welcome to Women in Antiquity! I’m looking forward to a great semester exploring ideas of gender in the ancient world.

Right now, I need you to do three things.

First, look over the course web page, which will be our base of operations. Watch the quick welcome and orientation video (linked here and on the overview page). Look through each of the pages on the website to see how the course will work and how the readings and discussions are set up. Any questions about how it works, please send me an email.

Second, get the book now if you can. A lot of you will be ordering books online, and you need to make sure you have the book and are ready to go when the course starts on January 27. On the “Books” page I’ve tried to give you some different options for getting what you need, but consider ordering now if there’s going to be any kind of shipping involved. (If you come across a legitimate online/e-text version of one of the assigned readings that’s not already listed, please let me know.)

Finally, send me an email so that I know I have a working email address for you. You can just send a blank email, email and say “hi”, or email with a question or concern, but I want to make sure I can contact everyone. If you receive an email from me but there is an email address you prefer I use instead of this one, please definitely reply and tell me that.

Email me anytime with questions at mark.wilson@lehman.cuny.edu. I’m looking forward to starting our journey together.

Link to Overview page